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Like all Royal houses Kutlehar has certain objects and ceremonies which are strong representations of royalty. The colorful ceremonies and traditions associated with the Monarchy are rich in history and meaning and are fascinating to watch.
The Royal family takes part in these ceremonies and are treated with supreme reverence.
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Palasana
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The throne of Kutlehar is called the “Palasana”, which when translated means Pal - protector, Asana - seat, therefore ‘the seat of the protector’ The throne is made of silver and has minute carving of flora and fauna done all over it, with the front two leg bases made to resemble lion’s paws, the throne is a beautiful example of workmanship of Kutlehar artists.
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Arms and Armor
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Arms and armor have been an inseparable part of the male members of the royal family, till date for formal occasions, the Raja and the Prince carry swords, and have a khanjar tucked in the waist cloth, though these are now simply ceremonial representation but remind one of a warrior past.
The Raj talwar or the royal sword used by the Raja has an ivory handle from which hangs a tassel of pearls and emeralds, the blade has carving done all over it and the scabbard is made of blue velvet.
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Chattar
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The chatar is the royal umbrella held over the Raja during formal occasions, the handle of the chatter is made of silver and the top is of zardosi covered cloth.
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Chowri and Mutha
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The Chowri and Mutha are conical shaped silver batons. In the Chowri the wide side has white yak hair and in the Mutha, peacock feathers.
Two officials stand on either side of the Raja and approximately two feet behind, holding the Chowri and Mutha vertically over their shoulders, with the wide side facing up, and at calculated intervals move the chowri and mutha back and forth.
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Jhandaa Nishaan
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The Jhandaa Nishaan means the Flag.
The Kutlehar flag is rectangular and is made up of three color bands of equal width, Dark Blue, White and Red.
There is another flag which is used, it is conical in shape and is saffron in color, and has a Trishul or Trident made on it.
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The coat of arms, a very European styled symbol, is a recent
addition to the Kutlehar insignia’s. It was personally designed
by the late Shri Raja Saheb Shri Narayan Pal ji
Saheb Bahadur, but before he could implement all that he wanted he
passed away and the Raja Ram Palji only used the internal design on the
shield, but then the designs found in the diary of Raja Narayan Palji
were added and the present coat of arms created as wanted by the Raja
Narayan Palji. |
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Masnad
A masnad is a gold thread worked velvet cloth, used to cover a sofa, chair or any other sitting object which is to be used by the Raja or the Rani.
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Jewels
Keeping with the Indian tradition many jewels are worn by the royal family, head ornaments, necklaces, earrings, nose rings, bracelets for the upper and lower arms, shoulder jewels, rings, waist belts, and anklets are some of the jewels and examples can be seen in the photographs on this website.
The most important jewel for the males is the Jigha which is a precious stone encrusted jewel worn on the folds of the safa (turban) or the topi (cap) and for the women, gold anklets, studded or plain, both these jewels signify royalty.
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The nath or nose ring, the most important
piece of jewellery for a married woman in the
hills, the above are priceless examples in diamonds, rubies, emeralds
and the rarest of pearls from Basra in extraordinary size
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Clothes
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Choga and Peshwai
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The two main factors in the evolution of Royal dresses in Kutlehar have been the climate and the Mughal court, first as the climate of Kutlehar is in extremes, it called for garments made of various textiles like the Dhaka muslin to wool, and secondly the Mughal Court, on the succession of a Raja, the Emperor sent a dress of honor or khillat, paving the way for the more dresses to be designed on the pattern, and also as successive Emperors, as an assurance of the Kutlehar rulers allegiance kept the a Prince of Kutlehar at the Imperial Court, leading to tastes being dominated by the Mughal Emperors and clothes were no exception.
For ceremonial and very formal occasions like marriage and coronation, the Raja wears a Jama, which is a side fastening frock style coat, with a tight bodice, and a very flared skirt that reaches down to the ankles, the flare of the Jama at the ankles is over 50 meters and it is heavily ornamented with prized zardozi or gota work, precious stones too are sewn into the garment, wrapped at the waist is a three and a half meter long cloth and a jeweled belt is worn over this, a dagger is kept within the folds of this cloth with the handle in view, a two inch wide piece of cloth is hung over the right shoulder and crossed over the chest and back to the left side with its ends stitched together which finishes, just over the left hip, in the shape of a square purse, this ‘purse’ is hollow and a sword is hung through this. Also worn over the shoulder is a Parna, which is a four inch wide and three and a half meters long piece of cloth with its ends hanging in front, the last two inches on either side of the parna have heavy zardozi work done on them a churidaar paijama is worn under the jama. A Safa is worn on the head alongwith heavy jewels and other decorations like medals and stars are worn with the jama.
Also worn, Choga which is a full sleeved gown reaching till below the knees with flared ends, a triangular neck and the right side overlapping the left, which becomes an inner panel, this is fastened by two pear shaped buttons at the chest, Achkan and the Angarakha are other dresses worn.
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Prince Rupendra wearing a safa and an achkan, on the folds of the safa is an
exquisite emerald, ruby and diamond Jigha,
the strongest representation of Royalty in India.
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The Rani and the Princesses wear a Peshwaj which is a full sleeved gown like garment reaching from the neck down to the ankles, till the waist it is made to measure where it is held together by means of cords stitched into the garment, from the waist below is a flare of cloth which at the ankles is up to 80 meters in circumference. The peshwaj is mostly richly decorated with gold thread work and sometimes with gems sewn into the garment, below the peshwaj the royal ladies wear a straight cut kameez and paijama-e-gulbadan, which is a kind of churidaar, or a pant, which is loose at the thighs and extremely tight at the calves and ankles. A dupatta measuring two meters in width and five meters in length is taken with the peshwaj, this too is richly decorated.
Kurta-e- kalidaar, is a long shirt with flare worn with salwar or loose pants. Ghagra’s, or skirt like garments, made of up to twenty-five meters of cloth with embroided choli’s, or tops, lengha’s of pure zari, are some of the examples of ladies clothes, and the inevitable nara or the drawstring used for tying these garments falls gracefully to one side and is richly decorated, sometimes with pearls and other jewels. Dupattas with these measure four meters long and one and a half meters wide.
All colors are appropriate with the exception of white, black and navy blue which are the colors of mourning.
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Wooden and silver kharau
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Kharau or wooden shoes, and velvet, silk or other cloth shoes are worn within the living quarters as they are believed to be pure, leather is used for shoes which are not worn or brought within the living areas.
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The highest rank within the dynasty is of course held by the Raja and
the Rani, and the mother / grandmother of the Raja,
titled, Rajmata / Rajdadi, if alive, and then
consist of other members.
Royal titles are not inherited in perpetuity but lapse gradually over
generations, with each generation further away from the ruler losing a
title, which are as such: |
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The Raja
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The Raja is the source of all titles and honors and as the head of the Pal’s, Kutleharia’s, Ranauts and other sub divisions of the dynasty, has the right to elevate or relegate or simply do away with any individual’s / branch of family’s title / titles. He has the right to excommunicate or accept anyone from within the family and withdraw / restore, grant styles, titles and privileges to any member of the dynasty. The Raja may also grant titles, personal or successive, to those who are not from within the dynasty and whom he deems fit for the honor.
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Styled
Swasti Shri Raja Saheb Shri (personal name) Pal ji Saheb Bahadur
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The Rani
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The Rani or the consort of the Raja is considered as ‘the other half’ of the Raja, and each incomplete without the other, infact for every religious function the presence and participation of the Rani is a must, without whom it is said that even the Gods do no accept offerings.
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Styled
Swasti Shri Rani Saheb Shrimati (personal name) Devi Saheba
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Children
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Eldest son
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Swasti Shri Tikka Saheb Shri (personal name) Pal ji Saheb Bahadur
(also uses the title of Prince)
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Spouse
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Swasti Shri Tikkarani Saheb Shri (personal name) Rajya Laxmi Devi Saheba
(also uses the title of Princess)
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Younger sons
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Swasti Shri Rajkumar Saheb Shri (personal name) Pal ji Saheb
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Spouses
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Swasti Shri Rajkuwarani Saheb Shrimati (personal name) Rajya Laxmi
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Daughters
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Swasti Shri Rajkumari Saheb Shri (personal name) Rajya Dei ji
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Mention must be made here to the husbands of the Princesses. A Princess may not marry anyone who is lower in rank than her father, therefore the standing of the family that the Princess marries into is of much importance. The in-house family rules forbid a Princess to marry anyone other than a head of state or his future successor.
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The uncles of the Raja
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The uncles are styled as Shri Kanwar Saheb Shri (personal name) Pal ji Saheb
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The aunts of the Raja
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Shri Dei Saheb Shri (personal name) Rajya Dei ji
Here too the above rules are applied as with the Princesses, and the titles are in accordance to those of the spouses.
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Followed by those of royal birth, which means the children of the Raja, are those removed by a generation from the Raja.
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Males
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Kanwar Saheb Shri (personal name) Pal ji
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Females
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Dei Saheb Shri (personal name) Kumari
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| Then the generation twice removed from the Raja, here the title of Pal is replaced with the twin surname of, Singh Kutleharia |
| Males |
Mian Saheb Shri (personal name) Singh Kutleharia
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| Females |
Dei Saheb (personal name) Kumari (Female titles lapse here)
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| These titles continue as such for another five generations. |
| Males |
Thakur Saheb Shri (personal name) Singh Kutleharia
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This is continued for seven generations after which the titles lapse and all future generations have the ‘Singh Kutleharia’ to indicate that they are from the Kutlehar royal house.
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The salutation of Jaidia, and the giving
and receiving of it, peculiar to the rajputs,
still has much significance attached to it, and is said to be a
corrupted form of the Sanskrit, Jayatu
Devah or Victory to the King.
While a royal by birth receives it freely from all and the curtsey
is returned to Rajputs, to others a ‘salaam’
or ‘Namasteh’ is
said.
Below the royal rank, jaidia is freely
exchanged between the Kanwars, Mians and Thakurs, it is
however offered first by the inferior to the superior and then the
curtsey is returned, it is how ever never offered to one who is not a Rajput, and wrong use of this privilege still
causes much disapproval from all sections of the family. |
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